Mark Johnson and Emory Lester
Acoustic Vision: Blockade Runner
Acoustic Vision completes the "trilogy" of earlier critically acclaimed CD Acoustic Campaign and Acoustic Rising. The sophomore release Acoustic Rising, on the Crossroads/Mountain Home label was nominated for the International Bluegrass Music
Association’s (IBMA) "Instrumental Album of the Year" award at the Grand Old Opry in Nashville, Tennessee in 2007.
- Brown County Breakdown Sound Bite
The Dark and The Rolling Sea
Blockade Runner at Cedar Key
Mother of a Miner’s Child
Brown Mountain Light Sound Bite
Buck Creek Dawn
The Old Time Drunkard
Forever True Sound Bite
Bright Sunny South
-Nominated for Instrumental Recording of the Year
by the International Bluegrass Music Association, 2007
-Featured in Bluegrass Unlimited and Bluegrass Now
-Featured on Nashville Public radio
The proficient musicianship of Mark Johnson and Emory Lester
is individually great, and collaboratively phenomenal.
Joe Ross – Bluegrass Music Profiles
Jim & Jesse, Flatt & Scruggs, Sonny & Bobby Osborne. Let us now
add to the list, Johnson & Lester! Mark Johnson has created a
completely new banjo art form called “Clawgrass." Emory Lester,
a master mandolin player and multi-instrumentalist, is a perfect,
equal, counterpart and together they are absolutely bleeding
with talent. We can assure you that you have never heard a duet
like this before!
'Mark Johnson & Emory Lester are wonderful innovators as
individual artists; as a duo their combined creativity is tremendous!
Bluegrass Now Magazine
|Emory Lester is one of this day’s foremost exponents of the acoustic mandolin.
The power and attack of his mandolin playing are unmatched, and his sound is infectious.
His recording projects ‘Pale Rider’, ‘The Emory Lester Set’, and ‘Cruisin’ the 8’ have
placed him among the elite mandolinists of our time. His brand new recording
‘Reminiscing Today’ showcases Emory’s musical creativity, and skill as a mandolinist
Emory has inspired and influenced many of the young up-and-coming mandolin players
of today, and pointed the way with his clean, clear, fast and efficient mandolin technique.
Emory is currently performing with ‘Wayne Taylor and Appaloosa’, doing shows across
the U.S., Canada, and internationally, just having completed an extensive tour of the
Scotland and England, with a new recording climbing the bluegrass charts, and enjoying
much success and national exposure for Emory’s talent as an instrumentalist and a
vocalist. Emory’s ten year partnership with noted ‘Clawgrass’ banjoist Mark Johnson
has yielded three very creative recording projects, the latest of which is the new
‘Acoustic Vision’. Mark and Emory have toured all across the U.S., and through the
Crossroads Music label, have been nominated for Instrumental Album of the Year at the
IBMA Awards program in 2007. Emory also performs with his own band, the Emory
Lester Set, at concerts and festivals nationally.
A life long Virginia native, now living in Barrie, Ontario Canada, Emory has been
teaching master series workshops at events such as the Steve Kaufman Camp, the
Mandolin Symposium, Transatlantic Bluegrass School in Wales UK, and many other
prestigious schools and workshops far and wide. He also has produced several
recording projects for other artists.
|Mark Johnson hangs his hat in Florida but learned his trade from Jay Unger while living in New York. Mark didn't know that Jay was a highly accomplished fiddler who also tinkered with the clawhammer style of banjo. It was in the early 1970s, that Mark learned from this consummate fiddler the basic technique of clawhammer banjo. He also learned the three-finger style of bluegrass picking as his familiarity with the instrument unfolded.|
Mark moved to Crystal River in Florida in 1981 where, per chance, he met the Rice brothers, Larry, Tony, Ronnie and Wyatt. Mark was working at the local power utility with Herb Rice, Larry and Ronnie and through that relationship, his manner for style and creativity in composition and performance was forever changed.
Mark's unique style doesn't really fit into a strict category. It's very bluegrass but has overtones of traditional folk, progressive acoustic, new-grass and old-timey all mixed into one. It's authentic. It's unique. It's Clawgrass.